For the invisibility is not only a fate of middle-aged women who usually pass unnoticed by men's gazes: we studiously avoid the sight of sickness, old age, ugliness, death and otherness, all those things that were kept from sight of the young prince Sakyamuni, the later Buddha. We have learned not to see them because we do not want to see them; when their presence becomes too intrusive, we turn our gaze away from them. The public space is thus a place of repression and exclusion: that is why it...
While walking the Athenian streets, one can “read” tension rising and confrontations looming in the suburbs and city center: stickers, graffiti, stencils, tags, posters, etc. The city walls constitute an urban narrative of colliding interests, compulsions and motives.
Again, how to look at Hirst? Should he be evaluated as an artist or an entrepreneur? Or is it that they are one and the same? Given how well he sells his products (and at what prices) he's certainly top notch. But what is his value?